29. Musical Sequence-Space and Discriminative Intellect
Subject of Study 1
Scientifically Studying the Universal Evolutionary Musical
Harmony-Potential of UNIVERSAL CONSCIOUSNESS –
the Universal Integration of Cognition & Creation –
the Universal Eigenfunction of Consciousness and Creativity –
the Integration of Vedic Cognition and Intuition –
the Harmony of the Universal Vedic Life of the Seer: Yoga
Within the Universal Musical Coordination of our Cosmic Intellectual Understanding
with the Integrative Ability of our Cosmic Feeling
Through the Integration of the Field of Knowledge of the Musical
Motif-Space and the Field of Knowledge of our Understanding
During / by the Integrated Analysis and Synthesis of Tone,
Sound and Idea
Seminar Series
Integrated mechanics of the combination of basic tone, basic sound and basic
idea at the transition from the field of knowledge of our understanding to the
field of knowledge of the musical sequence-space
Integrated mechanics of the overtone spectra of the combination of tone and sound
with the idea derivation at the transition from the field of knowledge of our
understanding to the field of knowledge of the musical sequence-space
Integrated mechanics of the periodic vibrations of the combination of tone and
sound with the periodic idea chain at the transition from the field of knowledge
of our understanding to the field of knowledge of the musical sequence-space
Integrated mechanics of the vibration sequences of the combination of tone and
sound with the idea sequence at the transition from the field of knowledge of
our understanding to the field of knowledge of the musical sequence-space
Integrated mechanics of the aperiodic vibrations of the combination of tone and
sound with the aperiodic idea chain at the transition from the field of knowledge
of our understanding to the field of knowledge of the musical sequence-space
Integrated mechanics of the attacks of the combination of tone, sound and idea
at the transition from the field of knowledge of our understanding to the field
of knowledge of the musical sequence-space
Integrated mechanics of the decays of the combination of tone, sound and idea
at the transition from the field of knowledge of our understanding to the field
of knowledge of the musical sequence-space
Integrated overtone mechanics of the combination of tone, sound and idea at the
transition from the field of knowledge of our understanding to the field of knowledge
of the musical sequence-space
Integrated mechanics of the combination of tone, vowel and idea at the transition
from the field of knowledge of our understanding to the field of knowledge of
the musical sequence-space
Integrated mechanics of the combination of the overtone spectrum of the tone
with the formants and the idea derivation at the transition from the field of
knowledge of our understanding to the field of knowledge of the musical sequence-space
Integrated mechanics of the combination of the tone with the unvoiced consonant
and the idea at the transition from the field of knowledge of our understanding
to the field of knowledge of the musical sequence-space
Integrated mechanics of the combination of the tone with the voiced consonant
and the idea at the transition from the field of knowledge of our understanding
to the field of knowledge of the musical sequence-space
Integrated mechanics of the combination of tone, sound and idea at the transition
from the field of knowledge of our understanding to the field of knowledge of
the musical sequence-space
Common Eigenfunction of idea, sound and tone at the transition from the field
of knowledge of our understanding to the field of knowledge of the musical sequence-space
Common Eigenfunction of idea, voiced consonant and tone at the transition from
the field of knowledge of our understanding to the field of knowledge of the
musical sequence-space
Common Eigenfunction of idea, unvoiced consonant and tone at the transition from
the field of knowledge of our understanding to the field of knowledge of the
musical sequence-space
Common Eigenfunction of the idea derivation, the formants and the overtone spectrum
of the tone at the transition from the field of knowledge of our understanding
to the field of knowledge of the musical sequence-space
Common Eigenfunction of the idea, the vowel and tone at the transition from the
field of knowledge of our understanding to the field of knowledge of the musical
sequence-space
Common Eigenfunction of the overtone mechanics of the idea, sound and tone at
the transition from the field of knowledge of our understanding to the field
of knowledge of the musical sequence-space
Common Eigenfunction of the decays of the idea, sound and tone at the transition
from the field of knowledge of our understanding to the field of knowledge of
the musical sequence-space
Common Eigenfunction of the attacks of the idea, sound and tone at the transition
from the field of knowledge of our understanding to the field of knowledge of
the musical sequence-space
Common Eigenfunction of the aperiodic idea chain and the aperiodic vibrations
of sound and tone at the transition from the field of knowledge of our understanding
to the field of knowledge of the musical sequence-space
Common Eigenfunction of the idea sequence and the vibration sequences of sound
and tone at the transition from the field of knowledge of our understanding to
the field of knowledge of the musical sequence-space
Common Eigenfunction of the periodic idea chain and the periodic vibrations of
sound and tone at the transition from the field of knowledge of our understanding
to the field of knowledge of the musical sequence-space
Common Eigenfunction of the idea derivation and the overtone spectra of sound
and tone at the transition from the field of knowledge of our understanding to
the field of knowledge of the musical sequence-space
Common Eigenfunction of the basic idea, basic sound and basic tone at the transition
from the field of knowledge of our understanding to the field of knowledge of
the musical sequence-space