31. Musical Motif-Space and Creative Field of Inner Hearing
Subject of Study 4
Scientifically Studying the Universal Evolutionary Musical
Harmony-Potential of UNIVERSAL CONSCIOUSNESS –
the Universal Integration of Cognition & Creation –
the Universal Eigenfunction of Consciousness and Creativity –
the Integration of Vedic Cognition and Intuition –
the Harmony of the Universal Vedic Life of the Seer: Yoga
Within the Universal Musical Coordination of our Inner Cosmic Hearing Ability
with our Universal Regenerative Ability of Cosmic Intellectual Understanding
Through the Integration of the Field of Knowledge of the Musical
Tone-Space and the Field of Knowledge of our Hearing
During / by the Integrated Analysis and Synthesis of the Idea
Seminar Series
The mechanics of the basic idea at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The mechanics of the idea derivation at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The mechanics of the idea association at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The mechanics of the periodic idea chain at the transition from the field of
knowledge of our hearing to the field of knowledge of the musical motif-space
The mechanics of the idea sequence at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The mechanics of the aperiodic idea chain at the transition from the field of
knowledge of our hearing to the field of knowledge of the musical motif-space
The mechanics of the attack of the idea at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The mechanics of the decay of the idea at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
The overtone mechanics of the idea at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the overtone mechanics of the idea at the transition from the
field of knowledge of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the decay of the idea at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the attack of the idea at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the aperiodic idea chain at the transition from the field of
knowledge of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the idea sequence at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the periodic idea chain at the transition from the field of
knowledge of our hearing to the field of knowledge of the musical motif-space
Eigenfunction of the basic idea at the transition from the field of knowledge
of our hearing to the field of knowledge of the musical motif-space