. |
|
PART IV |
|
30 |
|
|
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH |
|
|
|
|
|
|
|
|
|
Fixed Principles in the Process of Gaining Knowledge in Music
|
|
|
|
|
In the process of gaining knowledge in music it is a fixed principle: that the composer creates the music from the level of pure self-awareness, out of the infinite source of the harmony; for only pure self-awareness is able to activate this absolute musical force-field of the harmony to flow creatively.
|
|
The Adequate Standpoint of the Music Creator in Pure Self-Awareness |
|
|
At the same time it is a fixed principle: that the composer remains firmly established in the field of pure self-cognition during his process of creating; for if he would lose the inner contact to this infinite source of his creativity he would no longer be able to draw from it.
|
|
In Contact with the Source of All Creativity |
|
|
Moreover it is a fixed principle: that, while remaining in the field of pure self-awareness, the composer leaves this unlimited field of creative power for the world of musical growth and in the form of the musical work throws the golden musical rainbow-bridge to the music listener.
|
|
The Golden Musical Rainbow Bridge to Truth |
|
|
Furthermore, it is a fixed principle: that, from the self-created musical sound-space, the musical poet traces out to his listener a passable way into the depths of gaining knowledge in music, then goes this way himself to set his listener an example and simultaneously teaches him how to walk this way safely he personally guides him to the musical truth.
|
|
The Musical Creator as Teacher |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
. |