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Perceiving the Natural Overtone-Spectra of the Tone


Ignorance of the Atomic and Subatomic World of the Sound-Space



Space-Experience of the Understanding

Enhancement of the Space- Experience of the Understanding

The Dynamic Space

Enhancement of the Space-Experience of the Feeling

The Integrated Space-Experience


The Balance of Musical Forces

Space-Experience in the Microcosm of Music

Today, the natural spectra of overtones of a tone can easily be identified with scientific means. Due to insufficient cultivation of his inner hearing, however, the conventionally trained music expert is unable to perceive the spectrum of overtones on the level of his inner ear.

Even to the performing musician the spectrum of overtones of his instrument is not known in detail.
Just as he plays his instrument without being able to distinguish its individual atoms – let alone the combinations of protons, electrons, and neutrons – he only hears the basic tones of the music he is playing, and something like a timbre, but not the individual overtones, which are located, as it were, on atomic and subatomic levels. With proper training however, one is able to hear the structure of the overtones.

The "interval," the difference in pitch, is an external musical means to describe the field of potential energy.

An enhancement of the experience of space through the understanding is brought about by elucidating the space between the single overtones of a sound by projecting these overtones to different points in the acoustic space.

The difference in amplitude is an external musical means to describe the field of kinetic energy.

The experience of space through the feeling is enhanced by making audible the integration of clearly differentiated amplitudes which, playfully dancing to the pattern of the composition, light up like shooting stars at various points in space.

The most comprehensive experience of space results from the integration of the experience of space through feeling and understanding. This occurs when, in the process of our musical cognition, the potential and the kinetic energies reach such a state of balance that their forces cancel each other out.

In this case the human mind, stimulated by the outer perception of music, reaches a state of suspension which results in a feeling of weightlessness, and which has a liberating influence on our personality in general.

At this moment, all musical forces, organized in space and time, cancel each other out, and space and time merge completely and perfectly.







P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N



The Concept of Space
in Music

The Two Ways of Experiencing Space

Space-Experience in
the Microcosm of Music

Space-Time Integration in Music

Space-Time Fusion through the Integration
of the Musical Spaces

The Integrated Play of
Time and Space

The Potential of the

The Relationship of Rhythm and Tonality

Field of Cognition –
Enlivened Silence

The Core of Practising
the Art of Music

Conventional and
Modern Mechanisms
of Musical Performance