.  The Study of Musical Creativity
.  Conventional Knowledge of Music
.  Modern Music Analysis Music

PART V
THE FORCE-FIELDS IN MUSIC

.  The Musical Performers and Their Laws
.  The Motif
.  The Masculine and the Feminine Musical Motif
.  Training the Free Formative Will
.  Motif Recognition
.  Motif-Technique
.  Power and Powerlessness of Musical Interpretation
.  Scenes from the Inner World of Human Evolution
.  Integration of Levels of Creativity
.  The Differentiated Apprehension of the Power
    of the Harmony
.  The Perfection of the Formative Forces in Music
.  The Melody
.  The Manifold Shape of the Melody
.  The Path of the Human Character in the
    Musical Form
.  The Sequence in Music
.  The Gate of Harmony to the Outer Music

PART VI
THE PURPOSE OF MUSIC TRADITION

.  Supreme Musical Knowledge
.  Safeguarding the Individual Path of Life
.  The Deeper Musical Sense
.  The Concept of Space in Music

PART VII
SPACE AND TIME IN MUSIC

.  The Concept of Space in Music
.  The Two Ways of Experiencing Space
.  Space-Experience in the Microcosm of Music
.  Space-Time Integration in Music
.  Space-Time Fusion through the Integration
   of the Musical Spaces
.  The Integrated Play of Time and Space
.  The Potential of the Musician
.  The Relationship of Rhythm and Tonality
.  Field of Cognition – Enlivened Silence
.  The Core of Practising the Art of Music
.  Conventional and Modern Mechanisms
   of Musical Performance

PART VIII
THE PHYSICS OF MUSIC

.  The Dimension of the Tone
.  Mastery over the Instrument
.  Freedom of the Musician
.  The System of the Conventional Presentation
   of Sound
.  Unlimited Potential for Structuring the Musical
   Sound-Space
.  The Fixed Tone
.  Modern Sound Production
.  The Long Forgotten World of the Microcosm
   of Music
.  Entering the True World of Music
.  Musical Sovereignty in the Inner-Tonal Planetary    Systems
.  The Inner World of Power of the Melody

PART IX
THE SYSTEMS OF ORDER IN MUSIC

.  Tonality
.  Differences in Understanding as Reflected
   by Language
.  The Beginnings of Musical History
.  The “New Sound” Composers of the 20th Century    and the Range of Intervals
.  Advancing to the Transcendental Play of Music
.  Musical Insight into the Culture of Peoples
.  Musical Relationships
.  The Musical Path to Self-Knowlegde
.  Homophony
.  Polyphony
.  The Counterpoint
.  The Threefold Perfect Form of the Harmony
.  Relations in Music

PART X
SCIENTIFIC FUNDAMENTALS
OF MUSIC AESTHETICS

.  The Image of Musical Beauty
.  The Embodiments of Harmony
.  Motivation and Responsibility of the Musician
.  Reversal of the Reality of Creating Music
.  Analysis of the Process of Creating Music
.  Music Theory
.  The Natural Potential of the True Artist
.  Synthesis of the Artistic and Cultural Achievement
   of Music

PART XI
THE SCIENCE OF MUSIC

.  Scope of the Science of Music
.  The Inner Breath of Music
.  The Function of the Inner Breath in Music
.  The Scientific Aspect in Music
.  The Perfect Musical Description
.  The Twofold System of Music Analysis
   of the Composer
.  The Aspect of Humanities in Music
.  The True Field of Science in Music
.  The Sociology of Music
.  The Ecology of Music
.  The Physics of Music
.  The Physiology of Music
.  The Economy of Music
.  Music Critique
.  Dance in Music

PART XII
MUSIC AND SPEECH

.  Speech
.  The Superiority of Music over the Language
   of Today
.  Fundamental Research
.  The Organ of Speech
.  The Smithy of Thoughts
.  Sovereignty over Bound and Free Creativity
.  The Dimension of Creative Unfoldment
.  Control over the World of Thinking
.  Content and Form, Meaning and Structure
.  The Share of the Senses of Perception in the Process    of Gaining Knowledge
.  The Language of Music
.  How Our Ancestors Used Language
.  Conclusions from the Ancient Records
.  The Legacy of Our Ancestors
.  The Task Set by Our Ancestors

© AAR EDITION INTERNATIONAL 1982